Most of these players try and navigate through the changes using big, bulky two-octave scales and arpeggios which cause them to be late on the next chord, or not get there at all. trailer The next eight bars have a similar key structure as the first eight, though this time the two keys being used are Eb and G: Thinking of the second eight bars as a transposed version of the first eight will allow you to develop motivic ideas over the first half of the tune. In classical music, this section would be called the development section. startxref When playing 3 to 9 arpeggios, you are using arpeggios you already know in a new situation, which you can see in the text below each bar of the melodic pattern. Copyright Jazz Guitar Online 2020 © All rights Reserved. This type of arpeggio comes in handy when playing with a bass player or another comping instrument, as the root is already being heard and therefore we do not have to reiterate it in our lines. Very helpful! D^7 9 You Dm7 are Gm7 the breath C7 less - hush of eve F^7 ning - that 13 trem Bb^7 bles -on the brink E7 of a 3 love ly - song. The backing track is done with Band in a Box, a great piece of software that lets you create backing tracks on the fly. Sheet music file Printable sheet music file, 1 copy • 1 pages. Your browser does not support JavaScript or it is disabled! Here is a chord/melody arrangement of the theme. Printable sheet music file, 1 copy • 26 pages. Here is a backing track to help you get ATTYA’s chord changes in your ears and to improvise over. Eb^7 the lone ly - win A7 ter - seem long. Printable sheet music file, 1 copy • 17 pages. After logging in you can close it and return to this page. See the examples below for a sample of how this could be done. <]>> Fm7 B m7 E 7 A Maj7 D Maj7 G7 CMaj7 Cm7 Fm7 B 7 E Maj7 A Maj7 D7 GMaj7 Am7 D7 GMaj7 F m7 B7 EMaj7 C7 5 Fm7 B m7 E 7 A Maj7 D Maj7 D m7 Cm7 B 7 B m7 E 7 A Maj7 (Fim) G7 C7 1 All The Things You Are Hammerstein/Kern 0000002386 00000 n I’ve switched up the rhythm a bit to avoid running eighth notes, but have kept the same rhythm over each chord to make give the line a sense of melodic and rhythmic continuity. Harold Arlen - Over The Rainbow. A^7 You are the 17 an Bm7 - glowgel E7 that lights a star, A^7 The dear est -21 things G#m7 I know C©7 are what you are. 0000002230 00000 n 0000008549 00000 n D7. Cm7. 0000016167 00000 n I’m going to study and use it right away. G maj7. All the Things You Are - Eb. Fm7. Title by uploader: All the Things You Are Look inside. Here are 2 Chet Baker examples over the VI II V I progression starting on bar 9. 0000027262 00000 n Bb7. The B section is the “contrasting” section as it uses different keys and a different melody line than the other three sections. 0000005038 00000 n Here are those two common ATTYA chord subs on paper. 0000001056 00000 n G maj7. This is because Cm7 is the III in the key of Ab major, which contains a Db, not a D. Now that you have a better understanding of the harmonic layout of All the Things You Are, try and analyze other jazz standards in a similar fashion. 0000036287 00000 n es un gran aporte el que hacen! You can see the added chord subs written in red in both examples below. There’s just too much going on, and I think it will take some time for us to get through it, but let’s get started with it anyway! Being able to quickly recognize key centers, and short excursions outside of the main key areas will make sight-reading any tune a breeze. The ‘ symbol is used to differentiate this section from the first, as they are both very similar, but as you will see,  they are in different keys. Here, you will play a common turnaround that starts on the Imaj7 chord and then moves up to the iim7, then the iiim7 chords, before sliding down chromatically through the biiim7 chord to the iim7 chord at the start of the B section. 0000003030 00000 n 0000007628 00000 n All the Things You Are (Jerome Kern) is one of the most commonly played jazz standards and is often one of the first tunes called at a jazz jam session. 0000036724 00000 n Jerome Kern All the things you are Chord Chart and Playalong Jam Track . 0000001256 00000 n Close suggestions. 0000034443 00000 n Printable sheet music file, 1 copy • 4 pages. Below is a Roman numeral analysis of All The Things You Are. The last section of the tune is similar to the first, though just a bit different, so we will label it A’’. TEMPO: Fm7. Publish, sell, buy and download sheet music and performance licenses! Eb maj7. To begin this lesson, we’ll start with the famous intro Charlie Parker played on his recordings. Lead Sheet to the tune All The Things You Are, by Jerome Kern, transposed for Eb instruments. By no means do I recommend you try to play the song all at once and sight read it. In the first example, we have a motive built of the one-octave arpeggio for each chord. Being able to convincingly comp and solo through this section of the tune will not only help you with AATYA, but will give you a leg up on other tunes that contain this, or fragments of this, progression. Melody, lyrics and chords - C Instruments, Melody and chords - Bass Clef Instruments, June is Bustin' Out All Over (from Carousel). All the things you are Jerome Kern Lead sheet / 1 PDF Arranger : Bergeron, Guy. 0000012925 00000 n First of all, there are a lot of 2 5 1 chord progressions in this song. 0000002996 00000 n Db maj7. The third section contains bars 17 to 24 and will be labeled B. After you have looked them over, and listened to the audio example, try comping over ATTYA and inserting these changes into your playing in order to feel and hear how they sound in a musical situation. Eb7. MusicaNeo is a global music platform for online publication and sale of digital sheet music and performance licenses. Don’t worry about the quality of the chord (m7, maj7, etc), just focus on remembering the numbers. There are many analyses of ATTYA on the web, but non as clearly as this one. After the descending section, the tune finishes with a 2-5-1 in the tonic key of Ab. encuentro un error entre el cifrado, la partitura y la tablatura en el chordmelody, en el compas 14 sobre el Ab7(#11), el A y el G son bemoles como confirma el cifrado y la tablatura. Anything you play over the first eight bars can be played over the second eight bars, just a fourth lower, or a fifth higher depending on how you want to think about it. B7. This type of analysis if outstanding; especially for people like me who seem to never finish a tune and don’t know why. Printable sheet music file, 1 copy • 3 pages. All The Things You Are – Charlie Parker Intro, All The Things You Are – Chord/Melody Arrangement, Bang Bang (My Baby Shot Me Down) – Nancy Sinatra, The first five bars contains a 6-2-5-1-4 progression in the, This is followed by a 2-5-1 progression in the, The first five bars of this section is a 6-2-5-1-4 progression in the. 0 0 upvotes 0 0 downvotes. Because of the tune’s popularity, many guitarists learn to play All The Things You Are at a fairly early stage in their development. Search Search. Uploaded by Deon Rich. Printable sheet music file, 1 copy • 5 pages. %PDF-1.4 %���� What most guitarists fail to realize is that the piece actually has a fairly intricate harmonic structure that can pose quite a few problems for the beginning improviser or comper. 0000016399 00000 n x�b``Pf``�a �IOP3�0p. The bIIIdim7 (Bdiim7) chord then resolves down to the IIm7 (Bbm7) chord in bar 33. Y tambien, en la melodia del compas 18 creo que deberia sugerir un Gb(F#) Saludos, In here I can learn something useful to complete my performance~. This section is used to “wrap” up the first two sections by restating the melody line in bars 25 through 29, before presenting new material that leads to the final cadence in bars thirty-three through thirty-five.

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