We can forgive the occasional cliche – “the savageness beneath the veneer of society. Therein begins Andrew’s coy courtship of Nell, who reignites his belief in his work. The novel’s protagonist, Nell, whose brilliant, controversial book on sexuality and Samoan children has made her famous, is adrift and mourning a miscarriage when the book opens. Fen, meanwhile, has become contradictory and entrenched: resentful of his wife’s success, and at times derisive; he is spurred into action only by the threat of further emasculation. © 2020 Guardian News & Media Limited or its affiliated companies. King grew up in Massachusetts and received a B.A.
King immerses us so fully in the lives of her characters that they remain excellent company beyond the pages of this book. The story reimagines a brief collaboration in New Guinea in the early 1930s involving Mead; her husband, Reo Fortune; and her future husband, Gregory Bateson. I wouldn’t have had to go away from you.” This line suggests that if he had hit her someplace where people couldn’t see it, she would have stayed. © 2020 Condé Nast. Mead is a towering figure, and it’s fascinating to see a more vulnerable side to her. A Conversation with Lily King about Euphoria, loosely inspired by the life of anthropologist Margaret Mead
Do you have a favorite Margaret Mead quote?There are so many great Mead quotes, but here’s a surprising one. Her research is so well digested that she is able to drop us into the complexities of their work without being didactic. We spoke to Lily King about Margaret Mead, the inspiration behind King’s acclaimed new novel, Euphoria. But I wanted to know more about this time in her life, so I read her memoir and her book, Sex and Temperament in Three Primitive Societies, about the tribes she studied during that time. Elizabeth Strout, author of Olive Kitteridge "Writers & Lovers is a portrait of the artist as a young woman. Her provocative claims found a wide audience, from the moment they were published in the 1930s until they fell out of favour in the 1960s. Desperately lonely after two disenchanting years among the (fictitious) Kiona tribe, Andrew has recently tried to drown himself. I found myself taking notes and getting ideas, and when I was done with my last novel, Father of the Rain, I started in.
In the June issue o_f Vogue,_ I wrote about **Lily King’**s compass-spinningly seductive fourth novel, Euphoria (Atlantic Monthly Press), inspired …
King … An interview with Lily King. She has taught English and creative writing at several universities and high schools. As a woman and a populariser of anthropology, she was bound to encounter fierce criticism. Slight, malarial and injured, Nell appears a much diminished version of the famous anthropologist of Andrew’s imagination. and then pursued her M.A., receiving it in creative writing when she graduated from Syracuse University. Nell (Mead) and Fen (Fortune) are about to set sail for Australia after a particularly dispiriting stretch of field work in New Guinea when by chance they meet Andrew (Bateson), a rival anthropologist in the region, at a Christmas party hosted by the colonial administration. Lily King writes masterfully about desire and loss, creativity and inspiration, and how each overlaps and influences the other. The best new culture, style, and beauty stories from Vogue, delivered to you daily. It just felt more natural, more intimate. With self-interested desperation, he insists Nell and Fen do not leave, promising to take them upriver to the Tam, a peaceful tribe of strong women. It feels like something impossible, just as Euphoria felt, which I’m hoping is a good thing. And once I realized it was his story, everything I thought was going to happen had to change. In the June issue o_f Vogue,_ I wrote about **Lily King’**s compass-spinningly seductive fourth novel, Euphoria (Atlantic Monthly Press), inspired by Margaret Mead’s experiences in 1930s Papua New Guinea. At one point, Bankson resonantly asks: “When only one person is the expert on a particular people, do we learn more about the people or the anthropologist when we read the analysis?” What made you decide to tell the story from his perspective—apart from the first chapter, and Nell’s journals and letters?Once I wrote that second chapter in Bankson’s voice, I knew it was his story, not hers.
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